Thursday, April 26, 2007

Anne Pitoniak, 1922-2007

Anne Pitoniak, 85, Actress Who Played Strong Older Women, Dies

By CAMPBELL ROBERTSON

Published: April 26, 2007

Anne Pitoniak, who began her stage career in late middle age, but received a Tony nomination for her Broadway debut, in “ ’night, Mother,” and had an enduring career playing strong-willed older women, died on Sunday at home in Manhattan. She was 85.


Kathy Bates, left, and Anne Pitoniak in "'night, Mother" in 1983.

The cause was complications of cancer, said her son, Christian Milord.

Other than a few roles in summer stock theater right out of college, Ms. Pitoniak spent most of her acting life in television and radio commercials. But in 1975, when she was in her mid-50s, her marriage having ended in divorce and her two children grown, she decided to study acting at the Lee Strasberg Theater Institute. Two years later she became a resident actor at the Actors Theater of Louisville in Kentucky, where her first role was in Marsha Norman’s first play, “Getting Out.”

Ms. Pitoniak quickly developed a following at the Actors Theater, the host theater of the Humana Festival of New American Plays. Among the plays she appeared in were John Pielmeier’s “Agnes of God” and Jane Martin’s “Talking With,” which was moved to Off Broadway by the Manhattan Theater Club.

“ ’night, Mother” was the third of Ms. Norman’s plays in which Ms. Pitoniak starred. She portrayed a fiercely desperate mother whose daughter, played by Kathy Bates, suddenly announces suicidal intentions, a performance described as “harrowing” by Frank Rich in The New York Times. The play went to the American Repertory Theater in Cambridge, Mass., then to Broadway, where it opened in 1983.

Ms. Pitoniak acted in six more plays on Broadway, including a 1994 revival of William Inge’s “Picnic,” for which she received her second Tony nomination, and David Hare’s “Amy’s View” in 1999. She also appeared in movies and on television shows like “Third Watch” and “Law & Order: SVU.”

Born in Westfield, Mass., Ms. Pitoniak graduated from what is now the University of North Carolina at Greensboro. She joined the U.S.O. soon after and met her husband, Jerome Milord, then a soldier, when they were both in a U.S.O. show in Japan. They divorced in 1968.

In addition to her son, Christian, Ms. Pitoniak’s survivors include a daughter, Susan; a grandson; and two sisters and a brother.

In 2000 Ms. Pitoniak told TheaterMania.com: “I have never put ‘actress’ on any form of identification. I’m not trying to be coy, but I always felt that it would have been stretching things a bit to identify myself that way.”

That changed, she said, after “Amy’s View,” in which she appeared at age 77. “For the first time,” she said, “I felt that, if I had to get a passport today, I’d put it down. I’d say that I am an actress.”


++++++++++++++++++

Why is this on BillyBlog? In 1992, Ms. Pitoniak was a guest star on the short-lived Fox sitcom "Down the Shore". I was working on the show in 1992, during season 1 as a production assistant. I met Ms. Pitoniak. She was a lovely woman who was very kind and a joy to work with. I remember picking her up from/driving her back to her hotel room. I remember also how the young cast were in awe of the actress, who had made the stage and screen a career.

A small connection, but noteworthy nonetheless.

Tribute to Cesar Vallejo

Here's where I'll be Thursday night, live-blogging perhaps. Come join the fun!


April 26 | A Tribute to César Vallejo
April 26 | A Tribute to César Vallejo When: Thursday, April 26
Where: Poetry Project at St. Mark’s Church: 131 East 10th Street
What time: 8 p.m.–9:30 p.m.

With Jayne Cortez, Mónica de la Torre, Mariela Dreyfus, Clayton Eshleman, Forrest Gander, Edward Hirsch, Sam Shepard, Cecilia Vicuña & Anne Waldman

Tickets: $8 at the door; free to PEN American Center, Poets House, and Poetry Project members
Co-sponsored by The Poetry Project, Poets House, and The University of California Press

A reading in celebration of the supreme poetical innovator César Vallejo (1892–1938), whose syntax-breaking search for meaning has been compared to those of James Joyce and Paul Celan. This Peruvian poet's revolutionary works, Trilce (1922) and The Black Heralds (1919), had a major impact on Modernist poetics and Latin American literature.

Three for Thursday: Poetry in Motion, Day 26 (Ogden Nash, Sophocles, Allen Grossman)

As we enter the last few days of my Poetry in Motion project, I am offering up a hat trick of posters so that I can follow up with singles on the last 4 days of the month.

First up is a classic from the light verse master, Ogden Nash, which appeared on the Philadelphia transit system:


from "Riding on a Railroad Train"

Some like trips in luxury ships
and some in railroad wagons
and others swear by the upper air
and the wings of flying dragons

Let each make haste to indulge his taste
be it beer, champagne, or cider.
My private joy, both man and boy,
is being a railroad rider.


Also from Philly, we have some classic Sophocles:


from Antigone (lines 879-886)

Chorus:

Love, never unconquered in battle
Love the plunderer laying waste the rich!
Love standing the night-watch
Guarding a girl's soft cheek,
you range the seas, the shepherds' steading off in the wilds-
not even the deathless gods can flee your onset,
nothing human born for a day-
whoever feels your grip is driven mad.

Sophocles (496?-406 B.C.)
Translated from the Greek by Robert Fagles


And finally, the third, from Allen Grossman, as seen in Baltimore:


Quies, or Rest

A woman goes from room to room. She extinguishes
One light in each room. Darkness follows her
And in the last room she is overtaken.
Then, she mounts the dark stair confidently
And enters the room she sleeps in, and lies
Down in the dark, where a man in the dark wakes
A little and covers her with his arm.


Allen Grossman (b.1932)

Previous BillyBlog Poetry in Motion posts:

from "My Grandmother's New York Apartment" by Elizabeth
Alexander (Day 1)
from "A Bouquet" by Bei Dao (Day 2)
"Separation" by W.S. Merwin (Day 3)
"The Groundfall Pear" by Jane Hirshfield (Day 4)
"For Friendship" by Robert Creeley (Day 5)
from "Crazy Horse Speaks" by Sherman Alexie (Day 6)
"Hunger" by Billy Collins (Day 7)
from "Little Man Around the House" by Yusef Komunyakaa (Day 8)
"The Loon on Oak-Head Pond" by Mary Oliver (Day 9)
from "I Am Vertical" by Sylvia Plath (Day 10 - part 1)
"Two Haiku" by
Kobayashi Issa (Robert Hass, trans.)
(Day 10 - part 2)
"you say 'i will come' " by Lady Otomo No Sakanoe (Kenneth
Rexroth, trans.) (Day 11)
"You Called Me Corazón" by Sandra Cisneros (Day 12)
"Too Much Heat, Too Much Work" by Tu Fu (Carolyn
Kizer, trans.) (Day 13)
"Sew" by Donald Hall (Day 14)
"Those Winter Sundays" by Robert Hayden (Day 15)
"Luck" by Langston Hughes (Day 16)
"0˚" by Elizabeth Spires (Day 17 - part 1)
"I Finally Managed to Speak with Her" by Hal
Sirowitz (Day 17 - part 2)
"Window" by Carl Sandburg (Day 18)
" 'Hope' is the thing with feathers" by Emily
Dickinson (Day 19)
from "Watch Repair" by Charles Simic (Day 20)
"Thank You, My Dear" by Sappho (Mary Barnard,
trans.) (Day 21)
"A Piece of the Storm" and "Keeping Things Whole" by
Mark Strand (Day 22)
"Lullaby for a Daughter" by Mary Jo Salter (Day 23)
"I Ask My Mother to Sing" by Li-Young Lee (Day 24)
"Let Me Think" by Faiz Ahmed Faiz (Agha Shahid
Ali, trans.) (Day 25)

Wednesday, April 25, 2007

Best News of the Day So Far


I just discovered, via the New York Times, that Sherman Alexie has a new book out.

The review is here (NYTimes registration required). How's this for an endorsement: "Right up to the novel’s final sentence, Mr. Alexie succeeds yet again with his ability to pierce to the heart of matters, leaving this reader with tears in her eyes."

Check out Alexie's website for links to other reviews, tour dates (June 4 in NYC!), etc etc.

New Harry Potter and the Order of the Phoenix Trailer

Oh, I can't wait!

Poetry in Motion, Day 25 (Faiz Ahmed Faiz)


Pictured above are my poster and then an image from the Poetry Society of America site that hosted this and several other postcards, available for viewing. Click here to see and send a postcard!

This poster almost got signed, at a New School poetry event in November 2001, by the translator Agha Shahid Ali. However, Mr. Ali cancelled his appearance and understandably so, considering he succumbed to brain cancer before the end of the year. I have a very nice item signed by Ali, but that's for another post, another day. Meanwhile, enjoy the poem:

Let Me Think
You ask me about that country
whose details now escape me,
I don't remember its geography,
nothing of its history.
And should I visit it in memory,
It would be as I would a past lover,
After years, for a night,
no longer restless with passion, with no fear of regret.
I have reached that age
when one visits the heart merely as a courtesy...

-- Faiz Ahmed Faiz
(Translated from the Urdu by Agha Shahid

Previous BillyBlog Poetry in Motion posts:

from "My Grandmother's New York Apartment" by Elizabeth Alexander (Day 1)
from "A Bouquet" by Bei Dao (Day 2)
"Separation" by W.S. Merwin (Day 3)
"The Groundfall Pear" by Jane Hirshfield (Day 4)
"For Friendship" by Robert Creeley (Day 5)
from "Crazy Horse Speaks" by Sherman Alexie (Day 6)
"Hunger" by Billy Collins (Day 7)
from "Little Man Around the House" by Yusef Komunyakaa (Day 8)
"The Loon on Oak-Head Pond" by Mary Oliver (Day 9)
from "I Am Vertical" by Sylvia Plath (Day 10 - part 1)
"Two Haiku" by
Kobayashi Issa (Robert Hass, trans.) (Day 10 - part 2)
"you say 'i will come' " by Lady Otomo No Sakanoe (Kenneth Rexroth, trans.) (Day 11)
"You Called Me Corazón" by Sandra Cisneros (Day 12)
"Too Much Heat, Too Much Work" by Tu Fu (Carolyn Kizer, trans.) (Day 13)
"Sew" by Donald Hall (Day 14)
"Those Winter Sundays" by Robert Hayden (Day 15)
"Luck" by Langston Hughes (Day 16)
"0˚" by Elizabeth Spires (Day 17 - part 1)
"I Finally Managed to Speak with Her" by Hal Sirowitz (Day 17 - part 2)
"Window" by Carl Sandburg (Day 18)
" 'Hope' is the thing with feathers" by Emily Dickinson (Day 19)
from "Watch Repair" by Charles Simic (Day 20)
"Thank You, My Dear" by Sappho (Mary Barnard, trans.) (Day 21)
"A Piece of the Storm" and "Keeping Things Whole" by Mark Strand (Day 22)
"Lullaby for a Daughter" by Mary Jo Salter (Day 23)
"I Ask My Mother to Sing" by Li-Young Lee (Day 24)

Tuesday, April 24, 2007

"See You Wednesday in Harrisburg!"

The music blog ickmusic, has a downloadable, zipped Lucinda Williams concert from Harrisburg on March 28, 2007. Click here. I'm grabbing it 1) to see how good she sounds and 2) to see if I can hear the drunk idiot in the audience from the Radio City gig (refresh thy memory here).

Update: Definitely a nice bootleg. Except for a couple of tracks early on where Lucinda's voice breaks and she is forced to restart the song, the quality is very good and the setlist is phenomenal, including "Hard Time Killing Floor Blues," which she played at Radio City.

And, I think I can hear the screamer from NY in the audience!

Poetry in Motion, Day 24 (Li-Young Lee)


Jolee has her poster signed here, this one is Shayna's. It is inscribed beautifully by the poet Li-Young Lee, "Heart-flower to heart-flower". It's also a wonderful poem.


I Ask My Mother to Sing


She begins, and my grandmother joins her.
Mother and daughter sing like young girls.
If my father were alive, he would play
His accordion and swing like a boat.

I've never been in Peking, or the Summer Palace,
nor stood on the great Stone Boat to watch
the rain begin on Kuen Ming Lake, the picnickers
running away in the grass.

But I love to hear it sung:
how the waterlilies fill with rain until
they overturn, spilling water into water,
then rock back, and fill with more.

Both women have begun to cry,
But neither stops her song.


Li-Young Lee (b. 1957)
Only one today, but I intend to do a three-for-Thursday on the 26th.

Previous BillyBlog Poetry in Motion posts:

from "My Grandmother's New York Apartment" by Elizabeth Alexander (Day 1)
from "A Bouquet" by Bei Dao (Day 2)
"Separation" by W.S. Merwin (Day 3)
"The Groundfall Pear" by Jane Hirshfield (Day 4)
"For Friendship" by Robert Creeley (Day 5)
from "Crazy Horse Speaks" by Sherman Alexie (Day 6)
"Hunger" by Billy Collins (Day 7)
from "Little Man Around the House" by Yusef Komunyakaa (Day 8)
"The Loon on Oak-Head Pond" by Mary Oliver (Day 9)
from "I Am Vertical" by Sylvia Plath (Day 10 - part 1)
"Two Haiku" by
Kobayashi Issa (Robert Hass, trans.) (Day 10 - part 2)
"you say 'i will come' " by Lady Otomo No Sakanoe (Kenneth Rexroth, trans.) (Day 11)
"You Called Me Corazón" by Sandra Cisneros (Day 12)
"Too Much Heat, Too Much Work" by Tu Fu (Carolyn Kizer, trans.) (Day 13)
"Sew" by Donald Hall (Day 14)
"Those Winter Sundays" by Robert Hayden (Day 15)
"Luck" by Langston Hughes (Day 16)
"0˚" by Elizabeth Spires (Day 17 - part 1)
"I Finally Managed to Speak with Her" by Hal Sirowitz (Day 17 - part 2)
"Window" by Carl Sandburg (Day 18)
" 'Hope' is the thing with feathers" by Emily Dickinson (Day 19)
from "Watch Repair" by Charles Simic (Day 20)
"Thank You, My Dear" by Sappho (Mary Barnard, trans.) (Day 21)
"A Piece of the Storm" and "Keeping Things Whole" by Mark Strand (Day 22)
"Lullaby for a Daughter" by Mary Jo Salter (Day 23)

Monday, April 23, 2007

We Are All Hokies....

Just a small world story I guess, I'm still a little speechless. I was looking through my bookmarks and saw the link to a blog that I had on my sidebar for quite some time, a blog of a young lady that chanced upon BillyBlog last year and frequently stopped by. She added me to the sidebar on her blog The Story of My Life, and we frequently checked in on each other. I was intrigued by her take on American Idol, among other things.

I dropped her off the sidebar, I think, when blogger changed versions and her posts dropped to a trickle over the summer. She has a couple of other blogs which most likely took her attention away from the original.

Nonetheless, I hit her bookmark and saw she hadn't posted since March, then remembering she was from Virginia, I saw the words, "sophomore at Virginia Tech".

My heart sank as I hearkened back to the New York Times profiles of the dead, and couldn't recall a Taylor. But there were wounded. What if? I shook my head. VT has something like 40,000 students. She's a needle in the haystack, but 32 similar needles were lost last week. It's conceivable she didn't know anyone involved, with numbers like that, but it is irrelevant, I guess. Nikki Giovanni said it, "We are all Hokies..." Surely, Taylor feels the collective pain of her community. And via this blogging community, two small fish chanced upon one another and swam on, but I still feel a step closer to the tragedy.

I have sent her a couple of e-mails to see how she's doing. No word yet, but then, that's expected.

UPDATE: Taylor e-mailed letting me know she is okay, as much as can be expected. Good to hear. Wishing her well through the blogosphere....

I Will Never Be as Famous as Sanjaya Malakar

and I love this city:

A Word on Hip-Hop v. Don Imus

I've been relatively quiet on the whole Imus thing because BillyBlog's not, well, let's just say BillyBlog likes to steer clear of controversy.

But I'll throw you a bone. My Iolani classmate, Jeff Chang, has emerged recently as one of the foremost authorities on the history of hip-hop and its current state of affairs in this country. He has a great website here.

He also is co-author of a current editorial in the Los Angeles Times, linked in the title above and here. If that link doesn't work, go to Jeff's blog here.

Books by Jeff:



It's all Heather: Eddie Vedder at the Kokua Festival

I'd chatted briefly with Heather at I am Fuel, You Are Friends about possibly doing a major-league twin-bill post about the concert, but the Hawaii-New York time difference (as opposed to Hawaii-Colorado), and the general fact that she's a major league blogger (whereas I am seriously minor league, and not AAA, but double-A on my best days, but generally A ball, rookie-league) and has far greater skill and technical know-how than me (although I outdo her in self-deprecation and run-on sentences), now where was I? Oh yeah, go to her blog for the latest audio, video, photos etc from Kokua.

If you don't want to click over, I'll throw you a bone, here's something from YouTube, Eddie performing a new song called "No More War", I'm guessing it will be in the documentary mentioned in the interview he did in The Honolulu Advertiser:

Poetry in Motion, Day 23 (Mary Jo Salter)


The following poem is from the New York City subways:

Lullaby for a Daughter

Someday, when the sands of time
invert, may you find perfect rest
as a newborn nurses from
the hourglass of your breast.

Mary Jo Salter (b. 1954)


Previous BillyBlog Poetry in Motion posts:

from "My Grandmother's New York Apartment" by Elizabeth Alexander (Day 1)
from "A Bouquet" by Bei Dao (Day 2)
"Separation" by W.S. Merwin (Day 3)
"The Groundfall Pear" by Jane Hirshfield (Day 4)
"For Friendship" by Robert Creeley (Day 5)
from "Crazy Horse Speaks" by Sherman Alexie (Day 6)
"Hunger" by Billy Collins (Day 7)
from "Little Man Around the House" by Yusef Komunyakaa (Day 8)
"The Loon on Oak-Head Pond" by Mary Oliver (Day 9)
from "I Am Vertical" by Sylvia Plath (Day 10 - part 1)
"Two Haiku" by
Kobayashi Issa (Robert Hass, trans.) (Day 10 - part 2)
"you say 'i will come' " by Lady Otomo No Sakanoe (Kenneth Rexroth, trans.) (Day 11)
"You Called Me Corazón" by Sandra Cisneros (Day 12)
"Too Much Heat, Too Much Work" by Tu Fu (Carolyn Kizer, trans.) (Day 13)
"Sew" by Donald Hall (Day 14)
"Those Winter Sundays" by Robert Hayden (Day 15)
"Luck" by Langston Hughes (Day 16)
"0˚" by Elizabeth Spires (Day 17 - part 1)
"I Finally Managed to Speak with Her" by Hal Sirowitz (Day 17 - part 2)
"Window" by Carl Sandburg (Day 18)
" 'Hope' is the thing with feathers" by Emily Dickinson (Day 19)
from "Watch Repair" by Charles Simic (Day 20)
"Thank You, My Dear" by Sappho (Mary Barnard, trans.) (Day 21)
"A Piece of the Storm" and "Keeping Things Whole" by Mark Strand (Day 22)

Sunday, April 22, 2007

Top 25 Albums #19

It's been a while since I talked about a specific album in my top 25 countdown, so here we are with #19:


I'm imagining I didn't "discover" Black Sabbath until at least ten years after it was released in 1971, when I was just 3 years old.

I must have heard the music on the radio before I ever sat down and listened to the record, on cassette, most likely. "War Pigs," "Paranoid," and "Iron Man," all on side 1, arguably the heaviest side of music ever released, traipsed around FM radio, and continue to do so.

"Paranoid," the title track, has come to represent frontman Ozzy Osbourne's persona.


The famous beginning lyrics:

Finished with my woman 'cause
she couldn't help me with my mind
people think I'm insane
because I am frowning all the time
speak to a sense of alienation and frustration that saturates the Osbourne oeuvre, which teenage angst totally feeds from.

And "War Pigs" is the ultimate anti-war anthem, with a dark, menacing side.



Astonishingly, it seems perfectly normal that the first rhyming couplet of the song,
"Generals gathered in their masses/just like witches at black masses" matches the same word "masses," but with two distinctly dark, sinister meanings.

I was always smitten by "Iron Man". And that opening, heavy riff that has been mocked and mimicked to the point of cultural significance. Just go up to anyone and say "Duh-duh-DA-NA-NAH! Da-na-na-na-na-na-NAH-nah-nuh" and they generally know you're trying to imitate the unique throbbing of Tony Iommi's heavy riffs. The song "Iron Man" was voted number 1 on the TV music channel VH1's 40 Greatest Metal Songs.

Whereas most may say that three songs make this album, the other songs on the record "Planet Caravan," "Rat Salad," "Electric Funeral," "Hand of Doom" and "Fairies Wear Boots." Of these other "lesser," yet still-influential tunes, "Fairies Wear Boots" is my favorite of the bunch. It's interesting to see the song's origins now (see hyperlink above).

Here are some extras. Video of "Electric Funeral":



And check out this footage from British tv in 1970, performing "Paranoid":



And I'll leave you with "Fairies Wear Boots":

Poetry in Motion, Day 22 (Mark Strand)


One of my favorite poets is Mark Strand. In Chicago, where he teaches, the following, awesome poster, ran. The poem is from his great prize-winning book, Blizzard of One


A Piece of the Storm

for Sharon Horvath


From the shadow of domes in the city of domes,
A snowflake, a blizzard of one, weightless, entered your room
And made its way to the arm of the chair where you, looking up
From your book, saw it the moment it landed. That's all
There was to it. No more than a solemn waking
To brevity, to the lifting and falling away of attention, swiftly,
A time between times, a flowerless funeral. No more than that
Except for the feeling that this piece of the storm,
Which turned into nothing before your eyes, would come back,
That someone years hence, sitting as you are now, might say:
"It's time. The air is ready. The sky has an opening."


Mark Strand (b.1934)
As a special bonus, I'm throwing you two Strand poems. As good as the first one is, this second one is better, and was probably seen by more people, having run on the New York City buses and subways. I will go out on a limb and say that this is my favorite poster in the series:


Keeping Things Whole


In a field
I am the absence
of field.
This is
always the case.
Wherever I am
I am what is missing.

When I walk
I part the air
and always
the air moves in
to fill the spaces
where my body's been.

We all have reasons
for moving.
I move
to keep things whole.

Pure brilliance. I actually have 2 of these posters signed. The framed one is inscribed to me by Strand, I believe from a poetry reading he did once at the Russian Samovar restaurant in Manhattan. The signed one, I'm not sure, but it is slightly bent and I decided I wanted an inscribed one since the poem is so marvelous.

Previous BillyBlog Poetry in Motion posts:

from "My Grandmother's New York Apartment" by Elizabeth Alexander (Day 1)
from "A Bouquet" by Bei Dao (Day 2)
"Separation" by W.S. Merwin (Day 3)
"The Groundfall Pear" by Jane Hirshfield (Day 4)
"For Friendship" by Robert Creeley (Day 5)
from "Crazy Horse Speaks" by Sherman Alexie (Day 6)
"Hunger" by Billy Collins (Day 7)
from "Little Man Around the House" by Yusef Komunyakaa (Day 8)
"The Loon on Oak-Head Pond" by Mary Oliver (Day 9)
from "I Am Vertical" by Sylvia Plath (Day 10 - part 1)
"Two Haiku" by
Kobayashi Issa (Robert Hass, trans.) (Day 10 - part 2)
"you say 'i will come' " by Lady Otomo No Sakanoe (Kenneth Rexroth, trans.) (Day 11)
"You Called Me Corazón" by Sandra Cisneros (Day 12)
"Too Much Heat, Too Much Work" by Tu Fu (Carolyn Kizer, trans.) (Day 13)
"Sew" by Donald Hall (Day 14)
"Those Winter Sundays" by Robert Hayden (Day 15)
"Luck" by Langston Hughes (Day 16)
"0˚" by Elizabeth Spires (Day 17 - part 1)
"I Finally Managed to Speak with Her" by Hal Sirowitz (Day 17 - part 2)
"Window" by Carl Sandburg (Day 18)
" 'Hope' is the thing with feathers" by Emily Dickinson (Day 19)
from "Watch Repair" by Charles Simic (Day 20)
"Thank You, My Dear" by Sappho (Mary Barnard, trans.) (Day 21)

Saturday, April 21, 2007

Poetry in Motion, Day 21 (Sappho, trans. Mary Barnard)


This poem is from the Chicago Poetry in Motion program:

Thank You, My Dear


Thank you, my dear

You came, and you did
well to come: I needed
you. You have made

love blaze up in
my breast—bless you!
Bless you as often

as the hours have
been endless to me
while you were gone.


Sappho (c. 600 B.C.)
Translated from the Greek by Mary Barnard

Previous BillyBlog Poetry in Motion posts:

from "My Grandmother's New York Apartment" by Elizabeth Alexander (Day 1)
from "A Bouquet" by Bei Dao (Day 2)
"Separation" by W.S. Merwin (Day 3)
"The Groundfall Pear" by Jane Hirshfield (Day 4)
"For Friendship" by Robert Creeley (Day 5)
from "Crazy Horse Speaks" by Sherman Alexie (Day 6)
"Hunger" by Billy Collins (Day 7)
from "Little Man Around the House" by Yusef Komunyakaa (Day 8)
"The Loon on Oak-Head Pond" by Mary Oliver (Day 9)
from "I Am Vertical" by Sylvia Plath (Day 10 - part 1)
"Two Haiku" by
Kobayashi Issa (Robert Hass, trans.) (Day 10 - part 2)
"you say 'i will come' " by Lady Otomo No Sakanoe (Kenneth Rexroth, trans.) (Day 11)
"You Called Me Corazón" by Sandra Cisneros (Day 12)
"Too Much Heat, Too Much Work" by Tu Fu (Carolyn Kizer, trans.) (Day 13)
"Sew" by Donald Hall (Day 14)
"Those Winter Sundays" by Robert Hayden (Day 15)
"Luck" by Langston Hughes (Day 16)
"0˚" by Elizabeth Spires (Day 17 - part 1)
"I Finally Managed to Speak with Her" by Hal Sirowitz (Day 17 - part 2)
"Window" by Carl Sandburg (Day 18)
" 'Hope' is the thing with feathers" by Emily Dickinson (Day 19)
from "Watch Repair" by Charles Simic (Day 20)

Friday, April 20, 2007

To Jump Ahead to My Poem for Liviu Librescu

Click here.

Boom Gaspar & Eddie Vedder


There's a great article today in the Honolulu Star-Bulletin here about Kenneth "Boom" Gaspar, the fifth sixth member of Pearl Jam, who met Eddie Vedder several years back and subsequently joined the band as their keyboardist extraordinaire.

Eddie and Boom are playing the Kokua Festival at the Waikiki Shell this weekend.


Stay tuned for more details on the appearance over the weekend. If there isn't an update here, garens ball-bearin's you'll see one over at I Am Fuel....

Added Sunday, April 22: Interview with Eddie Vedder in the Honolulu Advertiser.

Poetry in Motion, Day 20 (Charles Simic)

It was a true surprise last Summer when I chanced upon this poster at the Transit Museum store in Grand Central Station.

I don't remember ever seeing this on the subways in New York, so it must have been up pre-June 1997. I am certain of this, as I am, and have been since the mid-'80s, a huge Charles Simic fan. I would estimate that Mr. Simic has signed at least 50 different items for me, which includes anthologies. This poster has yet to be so graced. But once it does, you can bet it will be framed and hung somewhere in my world.


from Watch Repair


A small wheel
Incandescent,
Shivering like
A pinned butterfly.

Hands
Pointing in all directions:
The crossroads
One enters
In a nightmare.

Higher than anyone
Number 12 presides
Like a beekeeper
Over the swarming honeycomb
Of the open watch.


Charles Simic (b. 1938)

"Watch Repair" (excerpt) from Return to a Place Lit By a Glass of Milk by Charles Simic.

You can read the full poem here. It's only a few stanzas longer than what fit on the poster.

Previous BillyBlog Poetry in Motion posts:

from "My Grandmother's New York Apartment" by Elizabeth Alexander (Day 1)
from "A Bouquet" by Bei Dao (Day 2)
"Separation" by W.S. Merwin (Day 3)
"The Groundfall Pear" by Jane Hirshfield (Day 4)
"For Friendship" by Robert Creeley (Day 5)
from "Crazy Horse Speaks" by Sherman Alexie (Day 6)
"Hunger" by Billy Collins (Day 7)
from "Little Man Around the House" by Yusef Komunyakaa (Day 8)
"The Loon on Oak-Head Pond" by Mary Oliver (Day 9)
from "I Am Vertical" by Sylvia Plath (Day 10 - part 1)
"Two Haiku" by
Kobayashi Issa (Robert Hass, trans.) (Day 10 - part 2)
"you say 'i will come' " by Lady Otomo No Sakanoe (Kenneth Rexroth, trans.) (Day 11)
"You Called Me Corazón" by Sandra Cisneros (Day 12)
"Too Much Heat, Too Much Work" by Tu Fu (Carolyn Kizer, trans.) (Day 13)
"Sew" by Donald Hall (Day 14)
"Those Winter Sundays" by Robert Hayden (Day 15)
"Luck" by Langston Hughes (Day 16)
"0˚" by Elizabeth Spires (Day 17 - part 1)
"I Finally Managed to Speak with Her" by Hal Sirowitz (Day 17 - part 2)
"Window" by Carl Sandburg (Day 18)
" 'Hope' is the thing with feathers" by Emily Dickinson (Day 19)

Thursday, April 19, 2007

Poetry in Motion, Day 19 (Emily Dickinson)

This poem is from the Philadelphia Poetry in Motion program:

'Hope' is the thing with feathers


'Hope' is the thing with feathers—
That perches in the soul—
And sings the tune without the words—
And never stops—at all—

And sweetest—in the Gale is heard—
And sore must be the storm—
That could abash the little Bird
That kept so many warm—

I've heard it in the chillest land
And on the strangest Sea—
Yet, never, in Extremity,
It asked a crumb—of Me.


Emily Dickinson (1830-1886)

Previous BillyBlog Poetry in Motion posts:

from "My Grandmother's New York Apartment" by Elizabeth Alexander (Day 1)
from "A Bouquet" by Bei Dao (Day 2)
"Separation" by W.S. Merwin (Day 3)
"The Groundfall Pear" by Jane Hirshfield (Day 4)
"For Friendship" by Robert Creeley (Day 5)
from "Crazy Horse Speaks" by Sherman Alexie (Day 6)
"Hunger" by Billy Collins (Day 7)
from "Little Man Around the House" by Yusef Komunyakaa (Day 8)
"The Loon on Oak-Head Pond" by Mary Oliver (Day 9)
from "I Am Vertical" by Sylvia Plath (Day 10 - part 1)
"Two Haiku" by
Kobayashi Issa (Robert Hass, trans.) (Day 10 - part 2)
"you say 'i will come' " by Lady Otomo No Sakanoe (Kenneth Rexroth, trans.) (Day 11)
"You Called Me Corazón" by Sandra Cisneros (Day 12)
"Too Much Heat, Too Much Work" by Tu Fu (Carolyn Kizer, trans.) (Day 13)
"Sew" by Donald Hall (Day 14)
"Those Winter Sundays" by Robert Hayden (Day 15)
"Luck" by Langston Hughes (Day 16)
"0˚" by Elizabeth Spires (Day 17 - part 1)
"I Finally Managed to Speak with Her" by Hal Sirowitz (Day 17 - part 2)
"Window" by Carl Sandburg (Day 18)