
Anyway, 20 years ago today, I was a freshman at Occidental College in Los Angeles. I had been one of the first students in my geology class to finish a test. I had turned in my work and was leaving Fowler Hall, exiting from the stairs at the North end of the building. The building was quiet, as classes were still in session. I ran into one of the geology professors, Don Woodhead. He looked like he had just seen a ghost. "What's wrong, professor?" I asked. "The Space Shuttle exploded." He may have said more, but those were the only words I heard.
My next class, I believe it was a 10 AM (PST) "core" class called "Collegium," a year-long melange of liberal arts core discussions covering multiple subjects. That day's lectures were to be held on the North end of campus, which was where I headed. I ended up in the lobby of Newcomb Hall, the dorm closest to the lecture location. Dozens of students had already gathered. I believe only a handful of students showed up for class. We were all glued to televisions watching over and over again.


It seemed that everyone focused on Christa McAuliffe, the ill-fated school teacher who had been among the crew. Not to take away anything from Ms. McAuliffe's legacy, but for a small segment of the U.S. population, she was not the chief object of mourning. I know I felt a greater tug at


That term in college, Collegium participants had to complete "creative" projects. My friend Chris Konzelman composed an original piece for the piano called "To the Challenger." My project, called "Poetography," was a series of photos I took, about which I wrote poems. The last poetograph consisted of a photo of the administration building. It was a black and white shot. The flags on either side of the building fly half-staff, limply. A woman is sitting on the stairs, reading. The structure has two columns of white cement on either side. In the picture I took (not the one below), the white starkness of those two columns is
contrasted by a trick of light, or shading, or developing, two faint black images mirroring the white columns, rising vertically into the air.
The columns look like two black trails of exhaust, driving the building into the earth.
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